Category: Americana

GToD #6.2—Joni Mitchell and Pat Metheny, “Furry Sings the Blues,” from Shadows and Light (1980)

Part 2 of 2—Pat Metheny

Be sure to read Part 1, which focuses on Joni Mitchell’s song “Furry Sings the Blues” and her distinctive use of alternate tunings.

As noted in Part 1, Metheny’s presence in Mitchell’s touring band is one among his rare appearances as a sideman to an artist from outside the jazz world. Well before his 1979 gig as Mitchell’s lead guitarist, Pat Metheny had in place a sound and style very much his own. Throughout much of the show, he presses his well-known tone—via a Gibson Es-175 into a pair of clean Acoustic combos, gently enhanced with asymmetrical delay settings—into the service of songs distant from his own.

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GToD #6.1—Joni Mitchell and Pat Metheny, “Furry Sings the Blues,” from Shadows and Light (1980)

Part 1 of 2—Joni Mitchell

Be sure to check back on July 7 for part 2, which will focus on Pat Metheny’s contribution to “Furry Sings the Blues.”

Joni Mitchell’s “Shadows and Light” is a brilliant performance document that brings together stage translations of the singer/songwriter/guitarist’s mid-70s period. During this interval, Mitchell released one after another adventurous album: Court and Spark (1974), The Hissing of Summer Lawns (1975), Hejira (1976), Don Juan’s Reckless Daughter (1977), and Mingus (1979). In contrast to the folk and softer rock leanings of her earlier recordings, the brief on this sequence of albums was strongly informed by jazz, and Mitchell brought aboard some of the most cutting-edge jazz musicians of the era, perhaps most notably electric bass innovator and virtuoso Jaco Pastorius.

Although Mitchell herself is the essential guitar presence on her albums, she invited occasional additions from jazz-rock lead player Larry Carlton and Robben Ford. By the time of the late 1979 gigs that led to Shadows and Light, her live band included one of the most innovative young jazz guitarists of the time: Pat Metheny. Four years out from his 1976 debut and close to the cusp of releasing American Garage, Metheny was in what have proven to be rare circumstances in his lengthy and still-evolving career.

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GToD #1: Stray Cats–
“Rock This Town,” from Built for Speed (1982)

The Stray Cats breakout track and video hit may well be the defining track of the first wave of retro rock. It’s now a classic in its own right. Brian Setzer masterfully accompanies his throwback-cool vocals with clean-toned, slapback-echoed guitar moves that include jazzy sliding chords; rockabilly triads extended with sixths; and two tight, confident solos—not to mention a motor of a main riff. Released decades after the peak of rockabilly, “Rock This Town” might have seemed, at first, like the product of one more group of costumed MTV opportunists, but Setzer, along with bassist Lee Rocker and drummer Slim Jim Phantom, showed confidence that rockabilly was as enduring and vital as a lovingly cared-for 1950s hot rod with a tank full of fuel.

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