Category: Metal

Russian Circles, Blood Year (2019)–Preview Review

Are you lost on a howling, desolate, icy tundra, not knowing where you are, or even if you’re near anywhere, knowing only that you’re about to face an implacable enemy in high-tech, mortal combat? No? Good. Maybe you’re on space craft, and something’s gone wrong, and you’re hurtling in slow-mo toward some kind of seething, black-hole abyss. No, not that, either? Good.

Good, because Blood Year, the new album by the devastatingly heavy instrumental trio Russian Circles, won’t be fully released until August 2. If you’re planning any of the above adventures—or, maybe, making a score for a movie or video-game that dramatizes such scenarios—wait until early August, because, if the pre-release tracks from Blood Year are any indication, Blood Year is the soundtrack you need. It is such a buzzkill when your dark, cinematic adventures have the wrong music.

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Baroness Live, June 2019

A couple of short sets ahead of Gold & Grey

In the week before Gold & Grey dropped, on June 14, Baroness played a series of small gigs, including an in-store appearance at Vintage Vinyl and a full-on electric performance at the Gutter, a Brooklyn, NY, bar.

Below are videos of both above-mentioned short sets, each of which is totally worthwhile, along with some thoughts about them. Please share your comments!

● I can’t think of any other band that does two-guitar harmonies in which both guitarists use single-coil pickups. The reduced sustain (as compared to humbuckers) and the pokier high frequencies of single-coils emphasize the sound of two guitars together. With some bands, I frequently hear guitar harmonies as two players trying to sound like one. I dig that sound a lot, but there are other possibilities.

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GToD #2: Baroness– “Seasons,” from Gold & Grey (2019)

The music of Baroness centers on guitarist/vocalist/songwriter/visual artist John Baizley, who is one of those people who can smile and still radiate heaviness. While the tracks released ahead of the June 14 release of Gold & Grey bear his unmistakable stamp, the band’s current lineup offers power and flexibility not heard even on its high-water mark album, 2012’s Yellow & Green or its acclaimed follow-up, Purple.

A case in point is “Seasons.”

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